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Erin Keck |
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As enjoyable to look at as it is to listen to.
Class Kit Fee $35.00 payable to instructor at beginning of class includes:
Student needs to provide:
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Trish McKinney |
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“Wonder is the beginning of wisdom” – Socrates Materials Fee $25 paid at beginning of class includes: GOLDEN Paints – Fluid Acrylics, Gesso, & Matte Medium, Strathmore Paper, Words to Collage, Brushes, StencilGirl Stencils, Reference Photos, Handouts, & more Supplies Needed to bring for Class: water container, & paper towels - optional - students may want to use a blow dryer to help speed up drying if electrical outlets permit. Trish will provide everything else.
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Clarissa Callesen |
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The making of marks is the fundamental building block of all artwork from the first handprints on cave walls to the strokes of paint that created Van Gogh’s Starry Night. Mark making is the beginning exploration in a work of art all the way through to the last finishing touches. You are invited to spend the day exploring the rich complexity of mark making. You will explore mark making techniques through fun exercises and unusual tools. In this process, you will start to develop your own vocabulary of marks while building a collection of unique collage material. You will learn how to use the building blocks of mark making to create a completed work of art rich with texture. You will be exploring a WIDE range of techniques for making marks. Some familiar and some unconventional. Besides the usual materials for marks, you will explore using stitches, collage, staplers, and goose feathers as nontraditional methods for making marks. The marks learned can be incorporated into collage, visual journaling, more traditional drawing or painting, and fiber art.
I am a strong proponent of experimentation and light-heartedness in making art. My job is not to tell you “How to make art” but to share techniques and support you in finding your unique creative voice. Materials Fee $15 cash paid at beginning of class includes:
• Stabilo pencils Supplies Needed to bring for Class:
• A pad of mixed media paper
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Ingrid Dijkers |
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You’ll delight in this journey into the realm of Alice that takes us through the Rabbit-Hole in tunnel book format. This sturdy book with wooden covers and boxboard pages is sure to hold up to the riggers of many adventurous journeys. The original completed edition Of Ingrid’s classis “Through the Rabbit Hole” tunnel book has been purchased and is now in the Artists’ Book Collection Library of Cornell University. You can make your own abbreviated version in this revised workshop that has more of the prep work done for you. Additional collage sheet packets will be available so that you can make the full version as shown in the video and photo gallery on Ingrid’s website at IngridDijkers.com
If you have or we can share-
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Erin Keck |
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Robots are such cool creatures. The mechanical characteristics of a human physique to give them personalities to which we can relate. Materials Fee $20 cash paid to instructor at beginning of class includes: Everything will be provided in this class along with instruction for assemblage. Each student will leave with two Robot assemblage Art Dolls
Supplies Needed to bring for Class: apron
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Micah Goguen |
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Get an amazing result regardless of your skill level with this gel plate mono print workshop. The clear gel plate acts as a transparency over the image allowing you to extract the subject using rich layers of color. You will learn the process and color application in an encouraging atmosphere while being introduced to new products and techniques. We will be using landscapes as references. Students will walk away with a completed project. All skill levels welcomed. We will be using Gel Press gel plates, Ampersand Claybord panels and GOLDEN OPEN acrylics. We will provide 2 choices for you to use as a reference. You can choose the one image that resonates most. Email micahgoguenart@gmail.com with questions or concerns Materials Fee $25 paid at beginning of class includes:
(to keep)
(to use) Supplies Needed to bring for Class:
• apron (optional)
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Kate Thompson |
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I call this The Abundant Book because I celebrate all the beauty I have collected over the years. My love for vintage fabric and papers made me want to put all this goodness together into a book that will be a treasure and add to my beautiful collection of meaningful objects I can get visual pleasure and inspiration from. In this class we will be making a 3 signature art book (9.5" x 6") We will create the pages using a variety of techniques-dyeing, fabric patchworking, collage on paper. We will gather a collection of vintage ephemera to fill in the book pages as well. There are demonstrations on my particular way to collage and paint. Taking these collages a step further by dipping them into dye baths. I demonstrate image transfers, several embroidery stitches which create beautiful mark making, wire work, stitching a patchwork, layering borders and bundles with complexity as well as simplicity. It all comes together as we gather our pages into signatures and sew those signatures to create a beautiful intriguing book. Supplies Needed to bring for Class:
Vintage Fabric and laces (check vintage stores and swap meets, check out Etsy and Ebay)
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Lorraine Glessner |
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This workshop explores the immediacy and process-diverse technique of encaustic mono-printing. Through journaling, personal mapping and expressive mark-making exercises, we will access layers of the self, providing the inspiration to develop ideas and areas of focus for series-based work on paper. All encaustic supplies are included, however, you might like to bring your own collage materials and/or some of the optional supplies for more personal expression. Materials Fee $25 cash paid to instructor at beginning of class includes:
• Soy wax for brush cleaning Supplies Needed to bring for Class:
• any tool or material for any technique that you normally employ while working with encaustic.
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Erin Keck |
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In this workshop students will learn how to create four different style beads using vintage new/old stock bottle caps. Using a metal Disc Cutter, and Dapping block we will transform ordinary metal bottle caps into unique beads. A bangle bracelet kit will be added for students to display their finished beads. Materials Fee $20 paid at beginning of class includes: Vintage New Old Stock Bottle caps, all jewelry hardware to create beads and bracelet, tools to be used in class Supplies Needed to bring for Class: A basic jewelry tool kit,(round nose pliers, chain nose pliers, small wire cutters) teacher will also have a few extra tools to use. CLOSED |
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Lisa Thorpe |
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This is a well-being-focused workshop. The day will be divided into 4 sections. In each section we will consider life’s inflection points through reflection and sharing then art exploration. We will begin each section with brief meditation and grounding then explore a poem or quote to focus on the theme. After a demonstration of art response ideas and techniques, there will be time for personal reflection and a creative art response. The guided art response gives lots of space for individual creativity and originality to suit each participant’s style, background, and experience. The section will close with sharing for anyone who chooses to. The day is divided into four 90 min sections each with its own art reflection. The art responses are designed for all skill levels and are intended as an entry to an ongoing art journaling journey. Why art journaling? I believe that using different pathways through art and poetry can help us crack open parts of ourselves that we have let lay dormant or unexamined. Art can get at feelings that are sometimes out of reach of words and gives a new modality of expression and exploration. I will be your guide for this art journaling experience. I am an artist, teacher, and lifelong art journal creator – the process has been a beautiful unfolding for me – I think you’ll enjoy it too. Materials Fee $10 paid at beginning of class includes:
• White #10 gel pen Supplies Needed to bring for Class:
• 9x12” MIXED MEDIA spiral bound, sketch book – CLOSED |
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Jacqueline Sullivan |
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What does it mean to create a painting that is informed by the natural world around us, but is not exactly representational? The difference between representational painting and abstract painting is that in abstract work, the subject is not as evident. Working with acrylic paints, students will be encouraged to let go of object orientation and see the landscape simply as shapes, colors and values. This workshop explores abstraction, composition, color and mark making, through the lens of landscape Students will learn how to coax hints of reality from an abstract background and perhaps how to integrate some textural and/or collage materials. Materials Fee $15 paid at beginning of class includes:
• 6 Small pieces (about 6” x 9”) of 140# CP watercolor paper Supplies Needed to bring for Class:
• 1” Flat Brush ( Lately I have been using Simply Simmons brushes)
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Trish McKinney |
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Discover the wonder and beauty of Nature’s Palette through playful experimentation. Trish’s newest Nature’s Palette paintings have evolved into a collection she calls “Forest Bathing” and this new class will introduce how she intertwines words with nature. Students will learn some of her newest techniques on how to create texture and pattern in my backgrounds. They will discover the glories of nature’s palette as they implement nature into pours of acrylic ink-like paint. Leaves, grass, twigs, plants, stencils, mark-making and collage will then be used in creative ways to design a painting. Elements of design and drawing will be focused on to create a work of art. Bring your imagination and your sense of adventure and leave your inhibitions at the door! Expand nature’s palette and learn mixed media techniques in a new and exciting way!
Links: https://www.trishmckinney.com/naturespalette GOLDEN Paints – High Flow & Fluid Acrylics, & Gesso, - 12x12 Ampersand AquaBord Panels, Brushes, Leaves, StencilGirl Stencils, Textural Ephemra, Handouts, & more! Supplies Needed to bring for Class: brayers & aprons – sometimes this class gets wild! Optional Supplies: students may choose to bring an extra 12”x12” Ampersand AquaBord flat panel if they want more than 1 painting.
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Thomas Ashman |
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Take a walk on the dark side and join a Día de los Muertos (Day of the dead) celebration with the Black Sheep Artist! Observed annually throughout Mexico (and many other places too). This macabre holiday focuses on gatherings of family and friends to pray for and remember friends and family members who have died, and help support them on their spiritual journey. The unique food, activities, and art that surrounds the celebration is simply astonishing and I am totally inspired and enthralled by all of it! Drawing inspiration from the rich and colorful traditions of the holiday, as well as a bit of so-called "Goth" style, we will transform a "thrift store rescue” porcelain doll into a beautiful tribute to those who have gone before us. Don't be scared...it's just a doll. Materials Fee $30 paid at beginning of class includes:
• DoD design example sheets To complete the project, students MUST come to class with the following supplies:
• one porcelain doll with the clothes still on it
For more artist info visit Black Sheep Artist Studio or email
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Micah Goguen |
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Join artist Micah Goguen as we take your favorite portrait and layer, embellish and adorn with layers of mixed media. This goof proof portrait class won’t require you to draw a portrait to get a stunning result. We will learn how to apply the layers in an order that showcases the property of each media. All materials are provided, you just need to bring your image. We will be learning aspect of collage, tinting with fluid acrylics, application with palette knife, stenciling and drawing with dry media. Your image you bring should be printed full size on standard copy paper in black and white. You can email the image to micahgoguenart@gmail.com for comments or approval if concerned about complexity or layout. Materials Fee $25 paid at beginning of class includes:
(to keep) Supplies Needed to bring for Class:
• Your full page black and white copy of image
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Erin Keck |
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In this workshop, we will take Mica and a wire battery operated light to create this unique hanging, sun & breeze catching sculpture. Because we are working with wires students will be able to shape this in many ways to give individual design if so desired. Materials Fee $20 cash paid at beginning of class includes: everything to create this hanging Breeze Catcher.
Supplies Needed to bring for Class: 2 pair of jewelry pliers, glasses if needed for close up work.
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Micah Goguen |
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Are you interested in portraiture but feeling intimidated? This is a great class to explore your creative abilities using layering techniques and mixed media application. Particpants will use the image of their choice printed full sheet on copy paper. You can email the image of your choice to micahgoguenart@gmail.com and Micah will print a simplified copy prior to the workshop. We will outline the image on Grafix Duralar Film which acts as a transparency, so no drawing skills are necessary. The student will use Marabu sketch markers to colorize and create stunning visual effects. The Instructor will guide the students to use acrylics to block in and layer image after using the sketch markers. Students may opt to select no image and pursue the process as an abstract. Each student will take home a set of Marabu markers and a completed project. You can get a better idea of what this class entails by viewing the link here Materials Fee $15 cash paid at beginning of class includes:
• Grafix Duralar Supplies Needed to bring for Class:
• Paper Towels
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Clarissa Callesen |
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Recently, the Gelli plate has most commonly been used to create collage papers. I want to invite you to rethink the Gelli plate as a tool for creating completed work of arts. Monoprinting has a very rich history in the art world. Did you know that Gauguin, Picasso, and Degas used their equivalent of a Gelli Plate to create masterpieces? We are very lucky to have the technology of the modern Gelli plate because it allows us to create monoprints without an expensive printing press and toxic inks right in our homes. I am going to share with you the unique techniques and esthetics that I bring to Gelli printing. Texture and grunge are at the base of all my work. I have spent many hours experimenting in order to recreate the look of peeling paint and ancient textures. Your first day will be exploring and experimenting with a huge range of techniques. You will be creating a foundation of processes and new ways to work with the Gelli plate.
On the second day, we will be exploring mark making, collage, and you will complete at least one finished work of art. You will learn easy techniques to register your plate and allow for multiple printing and layering. Encouraging and supporting creativity is at the base of my teaching. My job is not to tell you “How to make art” but to share techniques and support you in finding your own unique creative voice. Materials Fee $15 paid at beginning of class includes:
Stencils Supplies Needed to bring for Class: • 2 Gelli plates any size or shape • A brayer • An assortment of acrylic paints from different manufactures. We are looking to experiment with different qualities of paint: include some cheap craft paints, a transparent paint, a heavy bodied paint, and perhaps that strange paint you don’t know what to do with. Make sure to include a black and white. • A pad of mixed media paper • Scissors • Wet wipes • A palette and water container • Your favorite pens or pencils for mark making • A roll of blue painter’s tape
Optional:
• Heat gun and extension cord
P.S. No stressing allowed, it is about the creative process, not the specific supplies. Please email if you have any questions. clarissacallesen@gmail.com
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Lisa Bebi |
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Learn to create a painting by using photocopies as an underlying start.
$65 Materials fee paid to instructor at beginning of class includes: Suppliestot bring to class: Feel free to bring your own brushes if you have favorites that you are more comfortable using. Not provided: apron, gloves, water cans, paper towels.
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Jacqueline Sullivan |
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This class is about what every abstract artist needs to know to build a painting that draws in the viewer and hold their interest. The best artist's know, and can implement, design fundamentals in their work. This course focuses on various types of Compositions: Horizon lines, Focal Points, Horizonal, diagonal and vertical compositions and more. We’ll talk about Shape, Value, Color, Edges etc. as they feed into our chosen compositions. Class will begin in the morning with students creating several small “Sketch paintings”, either in their journals or on separate sheets of paper. Then one of the favored sketches will be enlarged to 11” x 14” or larger on an Ampersand Panel and we will spend the afternoon working toward a finished painting. We’ll work with Golden fluid acrylics in transparent layers in order to build deep and rich surfaces. Materials Fee $15 paid at beginning of class includes:
All Paints and Mediums Supplies Needed to bring for Class:
11 x 14 - 140 lb watercolor pad. I prefer Strathmore 300
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Trish McKinney |
Party On Your Paper – Gel Press Mono-printing & Painting On Delicious Prepared Surfaces |
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Who doesn’t love to have complete freedom and fun painting? Using seemingly random, deliciously colorful, and wildly patterned gel printed papers is a recipe for FUN! Painting on top of these papers? Well, THAT is a PARTY ON YOUR PAPER! Learn the exciting process of how Trish creates “prepared surfaces” and then paints on top of them and answers the question: What can I do with all of my millions of gel prints?! Kit fee $25 paid to instructor at beginning of class includes: Ampersand Aquabord, Gel Press Printing Plates, GOLDEN Paints – Open Acrylics & Fluid Acrylics, Gesso, & Matte Medium, Brushes, StencilGirl Stencils (Trish’s designs), Reference Photos, Handouts, & more! Supplies Needed to Bring to Class: water container, & paper towels CLOSED |
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Thomas Ashman |
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So you bought a Dremel Tool, with all those crazy attachments and bits, and the unbridled versatility of this amazing device has left you more than a little bit confused, or even intimidated. Fear not my friends, for this course will turn a Dremel Novice into a Dremel Master. I will explain all the basic workings of the tool, chucks, collets, and how to change the bits, and replace the brushes. We'll go over what many of the different tips and bits can do, such as drilling, cutting, buffing, sanding, grinding, polishing, carving, engraving, and a few of the specialty bits and attachments like tools that can drill and cut glass, porcelain or stone (diamond bit/cut-off wheel required). Students will not only get a demonstration of these tools and several of their myriad uses on all kinds of materials, but should bring along a variety of supplies to practice on, as there will plenty of quality hands-on time for you and your new tool. We will also cover using a Dremel drill press and basic safety for rotary tools.
For more info visit Black Sheep Artist Studio or email Supplies Needed to bring for Class: A Dremel (or another roary tool) with all the bits, attachments, and gizmos you can bring; I will bring a small variety of supplies to work on like metal, wood, plastic, porcelain, stone and glass (requires a diamond bit or cut off wheel), but you should bring some too! Also, if you have a "project" in mind, bring it! You might also want to have on hand some snips or shears, a pair of needlenose pliers, wire cutters, scissors, ruler, and a Sharpie. Bring whatever materials you like to work on most so we can get you going on what you bought the Dremel for in the first place!
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Ingrid Dijkers |
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Inspired by Tibetan Prayer Flags and my love of journaling, I have combined them both for this unique project. This can be displayed as either a flag banner or a bound journal. Supplies for the basic flag book construction and some embellishments are provided. Let’s explore the almost endless possibilities for this fun projects!
Materials Fee $20 cash paid to instructor at beginning of class includes:
Boxboard for page construction Supplies Needed to bring for Class:
Small bits of assorted fiber, embellishments and trims
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Erin Keck |
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In this creative colorful class students will make their own Steampunk style clock. This clock is Much Bigger and Brighter than all of the other Steampunk Clocks I have taught. If you are not into Bright colors do not worry. You can choose your own color pallets. Plus, you will be learning a process unlike all of the others! Materials Fee $40 paid at beginning of class includes: Everything needed to create this clock. Wood Laser cut Gears, Paints, stains, Cold enameling materials, adhesive, and all clock hardware.
Supplies Needed to bring for Class: apron, lap towel
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Micah Goguen |
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Join artist Micah Goguen for this course with textured landscapes. We will look at several new landscape compositions along with trying a new texture gel or paste each time. We will cover the breakdown and block in of a landscape composition as well as how to effectively incorporate textures and technique. We will be working with the GOLDEN acrylic textures "Gels and Pastes" kit in which you will be able to explore choices of Soft Gel Gloss, Light Molding Paste, Extra Heavy Gel Matte, Clear Tar Gel, Course Molding Paste and Regular Gel (Semi Gloss). This workshop will feature Ampersand Gessobord for substrates to yield the best results with the gels and pastes. Materials are provided so just come and choose your favorite methods. No previous painting experience is needed for this course. Materials Fee $20 paid at beginning of class includes:
(To use:)
-an apron
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Kate Thompson |
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In this class we will be creating several projects. We will work on Art Nouveau style patterns in watercolor, paint a portrait like Gustav Klimt using an outline drawing we will image transfer onto paper, embroidery and more. Supplies Needed to bring for Class:
Canvas pad CLOSED |
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Susan Schenk |
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Walk on the wild side or collage your pet. Take those adult coloring books of animals and wildlife calendars and let loose. Capture your favorite critter using paper and glue. Discover how to use recycled paper as if it is paint to create a unique work of frame worthy art. No drawing skills needed. Dogs, cats, camels, frogs, turtles, chicken, horses, lions and tigers. No limits.
Materials fee $10 cash paid in cash before class includes: Everything
Supplies that students are responsible for bringing:
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Gwen Lafleur |
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Angels & Icons is a mash-up of inspirations that results in unique, textural, and globally influenced mixed media artwork that takes figurative artwork in a fun new direction. The original inspiration for this series of work came from a mix of Mexican Folk Art and Russian Orthodox Icons along with my own personal influences and experiences. If angels and / or icons aren't your thing? No worries! Students have taken this project in many directions including fairy queens, a comic book hero, a butterfly princess, a shaman, or any strong male or female figure that you want to convey.
We'll use a combination of techniques and products including collage, fabric, stencils, stamps, heat embossing, and lots more as we make our collaged figure and background on an 12" x 16" canvas panel. Materials Fee $10 paid at beginning of class includes:
• 12" x 16" canvas panel Supplies Needed to bring for Class:
• A craft mat, baby wipes, and scissors
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Jacqueline Sullivan |
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Mark making describes the different lines, dots, marks, patterns, and textures we create in an artwork. It can be loose and gestural or controlled and neat. It can apply to any material used on any surface: paint on canvas, ink or pencil on paper, etc. Artists use gesture to express their feeling and emotions in response to something seen or something felt – or gestural qualities can be used to create a purely abstract composition. Materials Fee $15 paid to instructor at beginning of class includes:
All Paints and Mediums Supplies Needed to bring for Class:
12” x 12” stretched canvas (nothing smaller)
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Trish McKinney |
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“Not all those who wander are lost.” J.R.R. Tolkien.
Links: https://www.trishmckinney.com/sketches Materials Fee $30 paid at beginning of class includes: GOLDEN Paints – Fluid Acrylics, Gesso, & Matte Medium, Strathmore Watercolor Paper Journals, Brushes, StencilGirl Stencils, Reference Photos, Handouts, & more Supplies Needed to bring for Class:
bone folder, water container & paper towels
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Thomas Ashman |
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The beauty and mystery of supernatural, winged, and unearthly creatures has captivated our collective imagination for eons, and artists throughout human history have interpreted this form in infinite variations, rendering so-called "angels" in every media available in order to express our deep wonder and fascinated awe we have for these beings unconstrained by atmosphere or gravity.
For more info visit Black Sheep Artist Studio or email Materials Fee $40 paid at beginning of class includes:
detailed instruction booklet Supplies Needed to bring for Class: To successfully complete this project in one day, students must bring all of the following tools to class. Not having the right tools when you need them just slows everything down and can really annoy your classmates.
one tin can (no aluminum!)
Optional but very helpful tools, if they're not too much of a hassle:
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Erin Keck |
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IIn this workshop students will learn about several ways to use the mineral Mica. The techniques of altering this amazing mineral makes it a perfect addition to many crafting projects. During the class students will construct a 5.5” X 6” Journal which they can incorporate pages of their own artwork. Although the finished Journal in itself will be quite a nice piece to have, it will be the knowledge students will acquire in the uses of mica that will be the true addition to their art world. Materials Fee $35 cash paid at beginning of class includes:
Everything to construct the journal, plus extra Mica pack & Vintage paper packet. Supplies Needed to bring for Class:
Several (7 - 10) Images measuring no more than 2.5” X 2.5” (these can be old text, photos, ect…) , 1 cover image measuring no more than 2.5”X2.5”.
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Gwen Lafleur |
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I love fabric and thread just as much as I love paper and glue. So why not combine the two? In this workshop we'll explore a variety of techniques for using both paper and fabric as we stitch and stick our way to a textured and layered mixed media collage. If sewing isn't your thing you can “stick” with glue. And if you do sew, the stitches can be as basic or fancy as you’d like and you can do a little or a lot – it’s all up to you. (Stitching demos will also be provided for those who want to learn the stitches in my samples.) We'll combine paints with rubber stamps, paper, and fabric and make a layered and collaged background. You'll also learn a fun and easy technique for using stencils to create a layered focal point combining fabric and paint with stencils and paper, then finish with final accents and optional stitches. There will also be a discussion and demonstration on how to combine bits and pieces to create unique embellishments to add to your piece so that you finish with a fabulous mash-up of fabric and paper that's ready to display.
Student Supply List: CLOSED |
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Jacqueline Sullivan |
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This is a process class. If you want to be truly original – what better way to start than by making your own tools? In this class we will make our own stamps by gluing simple materials together. These materials will be in the form of shapes and marks that we can use to stamp into paints, etc. We will also cut and punch our own stencils to form borders and designs, and then we will alter small paint rollers to make even more marks! One of a kind brushes will be made and will become part of our repertoire for paintings and books. Then, we’ll take all of our new toys and use them to make decorative papers! These one-of-a-kind papers will be appropriate for later use in handmade books, scrapbooks, origami, cards, and collage. Materials Fee $20 cash paid at beginning of class includes:
All Paints and Mediums Supplies Needed to bring for Class:
Sponge brushes (2 or 3)
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Thomas Ashman |
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This workshop could be called "metal shop for beginners". Students will spend the day learning all sorts of fun metalworking techniques while making 4 of these "charming" little pendants. Students will learn to drill, cut, polish, patina, grind, and engrave on copper and brass sheet metal. Then a nifty little technique to attach their own favorite charms or found objects with tiny brass hardware and/or copper and brass wire. A fun, easy intro to sheet metal while building some sturdy, non-traditional jewelry pieces that are sure to catch eyes.
For more info visit Black Sheep Artist Studio or email Materials Fee $30 paid at beginning of class includes:
Instuction booklet with tool and supply sources Supplies Needed to bring for Class:
a few (minimum of 4) of your favorite metal charms, beads, or small found objects
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Michelle Banton |
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Using tiny bits of fabric, we’ll make mosaics. No breaking tiles, glass or porcelain. An easy and relaxing way to spend your day and create a unique piece to display in your studio. We’ll learn the technique and then have some choices on the final project. Materials Fee $30 cash paid to instructor at beginning of class includes: materials content hereAll fabrics, your own cutting mat, rotary cutter, tweezers, ruler, blank canvas, fusible web and reusable container for your fabric bits. I will supply everything, except scissors. You’ll have a kit to take home to make more. All are yours to keep. Supplies Needed to bring for Class: Small, sharp scissors and a smile
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Ingrid Dijkers |
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This workshop is based on the very popular (and my favorite format to date) File Folder Journal. Materials Fee $20 paid at beginning of class includes:
Word and definition printouts Supplies Needed to bring for Class:
Gel Uni-ball 1.0 or micron pens for doodling
Optional items - If you have or we can share -
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Micah Goguen |
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Join artist Micah Goguen as we walk through design principles using collage, acrylic and texture pastes in a creative and innovative way. You will be able to create your own collage papers using GelPress gel plates that you get to keep. We will be using GOLDEN acrylics on Ampersand Art Panels to create simple abstract compositions. You will then be able to layer and arrange a cityscape or landscape following these methods. Finish it off by layering some texture with stencils and you will have your own unique pair of paintings. Each guest will leave with 2 completed paintings and keep their gel plate. Materials Fee $25 paid at beginning of class includes:
(Qty 2) Ampersand 6 x 6 Gessobord panels Supplies Needed to bring for Class:
• Apron (optional) CLOSED |
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Micah Goguen |
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Join artist Micah Goguen as we learn simple techniques using pastels. No drawing experience is necessary as a template is provided. Working on Ampersand Pastelbord, we will explore blending, mark mark making and layered application to create our own interpretations of a landscape. You can substitute your own colors and truly make it your own. All materials provided and you keep the set of pastels. Let loose and be free creating scenes that allow us to retreat from daily encounters. Materials Fee $20 paid at beginning of class includes:
24 set of Myungo Pastels Supplies Needed to bring for Class:
You can bring:
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Gwen Lafleur |
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In this workshop we'll combine paper and fabric (or just one or the other) along with stamps, stitching (optional,) collage, embellishments, mark making, and more as we create our own hardbound folio featuring a flip-book full of smaller, layered pieces of artwork. I'll also share techniques and ideas for creating your own unique embellishments. Materials Fee $15 paid at beginning of class includes:
• Pieces for folio cover
Teacher will also provide:
• Rubber stamps (I'll be using my stamps from PaperArtsy and have some on hand, but you can use any designs or brands you like.)
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Thomas Ashman |
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This is the workshop that started it all for me. My very first A&S workshop, and most popular class! Originally envisioned way back in '03, I have been teaching, practicing, improving, and fine tuning the design of this all-metal book binding since then, and I think I have it down (finally). We'll start with some heavy watercolor paper you can customize to make your book just perfect for writing, journaling, painting, scrapbooking, or whatever else you might want to do with your Glass Journal!
In this "form and function" workshop, students will begin by learning how to fabricate the entire metal book binding, completely "from scratch", give it a nice patina with some chemicals and a torch, and later, adorn it with chain, beads, charms, and other do-dads. Then, we'll attach the glass covers and some cool transparent photos. This unique binding and the skills you'll use to make it, once mastered, can be easily adapted to make book covers from many other materials and other mixed media art applications! Two transparent photos are included in your kit, but you are more than welcome to bring more personalized images for your covers if you wish. Just print out any 2 photos you like on transparency film at 4.25" sq. just don't trim them to size yet! Beveled glass covers come pre-drilled in your kit, due to time constraints of this one day workshop, but feel free to bring your own Dremel tool and a 1/8" diamond drill bit if you want to try your hand at drilling glass in class. Materials Fee $45 paid at beginning of class includes:
Fully illustrated instruction booklet To complete the project, students MUST come to class with the following supplies: 16 pieces of 90# watercolor paper (either hot press/cold press, but it looks best hand torn). Each sheet should measure 3.75" x 7.5" (We will have time to give your paper a quick paint wash to give it some color, but if you like, please feel free to paint, stamp, collage, dye, color, or otherwise decorate your paper before you attend, just use lighter colors, and a not-too-busy design on at least two of the sheets, so the transparent images show up well on the front and back of the book.)
TOOLS
For more artist info visit Black Sheep Artist Studio or email
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Heather Neilson |
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Are you inspired by the garden and botanical forms? Do you like paper ephemera and collage? Spring is a perfect time to honor our love of nature by using fresh leaves and other nature inspired techniques to our art making practice. Materials Fee $15 paid at beginning of class includes:
the use of gel plate, brayer, GOLDEN OPEN and some regular
Supplies Needed to bring for Class:
8 ounces Soft Gel semi-gloss medium
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Susan Schenk |
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Learn a simple yet dramatic way to create batik fabric using flour and paint. Each student will work on four pieces and embellish them, combining painting, needle arts and textiles. Plenty of room for individual expression and sharing of ideas. Materials Fee $8 paid at beginning of class includes:
Sturdy cotton fabric Supplies Needed to bring for Class:
Acrylic paints (any quality, tubes or bottles), plus fabric paint if you have it
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Michelle Banton |
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– Using the Dresden Plate, a classic quilter’s block, you will build your own Art Colony. No pulling permits or arguing in front of planning boards. Create your own cozy Art Colony, Beach Retreat or neighborhood. No sewing is involved. I will provide an assortment of fabrics, but if you have any special themed fabrics you’d like to use, feel free to bring them with you. Materials Fee $30 cash paid tjo instructor at beginning of class includes: All fabrics, Dresden Neighborhood pattern (by Kim Lapacek), template, Mistyfuse, rotary cutter, cutting mat and acrylic ruler. All are yours to keep. Supplies Needed to bring for Class: Small, sharp scissors and a smile
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Micah Goguen |
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This is an easy and fun workshop. Each guest will receive (qty 3) pre-prepped crackle paste panel with bird templates to transfer. I will demonstrate how to prepare the GOLDEN crackle paste on an Ampersand panel even though you won't have to do that part. We will use GOLDEN High Flow acrylics to add layers of washes similar to watercolor and then saturate certain modules to create a mosaic stained glass effect. All materials will be provided. We will be using SilverBrush Silverwhite brushes. This is a very success oriented workshop that doesn't require a lot of effort or thinking. You must pre-register at least 24 hours or more before the class or materials will not be ready for you. Everyone will leave with 3 completed 5 x 7 artworks of different birds. You can choose from several bird templates that will be provided. No previous experience or drawing experience required. You will trace the template on the pre-prepped panel.. Materials Fee $20 paid at beginning of class includes:
(to keep)
(to use) Supplies Needed to bring for Class:
• Apron (optional)
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