Portland, OR 2019 Registration is NOW OPEN

P404 - Thread Painting

Helene Knott
9:00 - 4:30
Sunday March 10

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$ 150  

We will have 5 machines available to rent for this class if you are traveling. Please contact glenny@artandsoulretreat.com to reserve a machine. If you live locally, please bring your machine and let us know so we can reserve for others!

This beginning level thread painting class will teach you to use your sewing machine and thread much like a box of crayons. The class project is simple enough to render in a basic ‘color within the lines’ approach but can be stitched in a more complex style adding details and blending colors for the more adventurous spirits. You do not need an ‘embroidery’ machine for this, just one that can be used for free motion stitching with a straight stitch. The stitching is hand guided not computerized and even a basic machine will work fine, stained glass style butterfly pattern (good for beginning thread painters) or a more ‘painterly’ bird pattern (intermediate to advanced skills) included in class. Skill Level: Confident Beginner to Advanced (a familiarity with free-motion stitching is a prerequisite) 

Supplies you need to bring to class:

12” square of fabric: ideally, this should either be a solid or ‘read’ as a solid. Choose any color you wish keeping in mind that it should contrast well with the thread colors you choose. HINT: a darker value fabric will show off the threadwork better than a light one.
• 10” square of embroidery stabilizer: medium to heavy weight; you will be stitching fairly densely and will need to stabilize the fabric to prevent it from scrunching and distorting. This can be an iron-on product if you wish.
• Additional Fabrics/supplies: The bird pattern includes instructions for applying the completed bird onto a different background than the one you will stitch the bird on and a branch for the bird to perch on. In class, you will concentrate on just thread painting the bird, but you will need additional fabrics for these other elements to finish the project. It may be a good idea to bring fat quarters each for a background, branch and border (if you plan to add one) and a sheet of fusible web for the branch.
• A Machine Embroidery Hoop: this will keep your embroidery from distorting while you stitch. I prefer a 7” machine embroidery hoop of the spring-loaded or screw tightening type but a regular wooden embroidery hoop will work if it will fit under the free motion foot of your sewing machine; test it before coming to class to make sure it works with your machine..
• Drawing pencil: the kind you sharpen, not a mechanical pencil.
• Saral Paper: This is a chalk coated artist’s transfer paper available at art supply stores, choose a color that will show up on your fabric; dressmaker’s transfer paper is an appropriate substitute.
• Thread: in colors that will be appropriate for your subject (see guide below). The pattern provided for the project is of a butterfly or a bird. I recommend having a range of colors, perhaps even more than you need so you can make some last minute choices. Variegated thread can also offer some interesting effects as long as the color change isn’t too drastic. Use metallic thread only if you have experience and feel at ease using it, you will be stitching very heavily and metallic threads are very temperamental though they may add a bit of sparkle if used sparingly. A regular sized spool of each color should be enough.
1. Butterfly: you will need a variety of thread in colors of your choice, one for the body and several for the wings. If you wish to explore blending and shading, choose several colors that will blend smoothly from one to another well. There are design features on the wings that should contrast with the basic wing colors and a decorative metallic or rayon thread for the antennae adds a nice touch. Make sure that the color choices contrast well with the base fabric
2. Bird: the bird will require more colors than the butterfly for the painterly shading. Rather than try and give you exact color numbers which vary greatly by brand (and I typically cross brands to get the colors I want) I have given you a basic ‘palette’ of colors to find. The exact tone or shade is less important than the colors you pick working well together. In general you will need: white, black, three shades of gray (light/medium/dark), three shades of warm brown (from medium golden brown to dark chocolate brown), warm yellow, golden yellow and yellow orange, dull greenish yellow (optional), pale ‘sky’ blue, medium ‘French’ blue, medium-dark ‘French; blue, dark ‘smoke’ blue. You can also search bird identification guides for small perching songbirds and choose colors from a bird of your choice for the project, the pattern provided is for a small perching songbird, choose appropriate colors for any bird that resembles the one in the picture below in shape and species. Keep in mind, the more color/shade thread variations you have, the more realistic you can make your bird.

• Extra Bobbins: You will need separate bobbins for each color of thread you plan to use OR you may use just a few bobbins of thread in colors that will work with more than one of your top threads.
• Sewing Machine: with feed dogs that can be dropped and a free-motion foot (this is absolutely necessary); an open-toed free motion foot is a better option than a closed-toe one.
• Extra machine needles: Sewing through stabilizer over multiple layers of thread will dull needles fairly fast, have back-up needles –Denim/Jeans needles in size 12/14 are recommended. The larger needles are better for thicker or more fragile threads. Topstitching 80/90 (12/14) are also good choices if you will be applying a dense layer of thread.
• Thread snips
• Doodle cloth: a 10” square of stabilized fabric the same as your project fabric to test stitching tension and/or practice texture and blending techniques on.
• Batting and backing: Optional but you may decide to do your machine embroidery on a layered piece making the embroidery part of the finishing work on your project. I recommend dense cotton batting such as Warm & Natural.
• Pattern: supplied in the class


Other Incidental Supplies:
• Lighting: additional lighting may be helpful; a portable Ott light would be appropriate. You may or may not need these things; they are mainly for comfort.
• A Stitchery Magnifier: these come in wearable forms as well as those that can be clamped to a table.
• Extension cords and plug strips: check to see if these will be provided or if it’s advisable to bring your own.
• A Pillow: Many venues have less than comfortable chairs, a pillow may help.

Most of the required supplies for your classes can be pre-ordered from Collage. They will be ready and waiting for you to pick up when you arrive at the retreat. For further info and to place your order, contact:

Maria Raleigh
Maria@collagepdx.com

http://collagepdx.blogspot.com/

 


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